joseph carlson

continues a tradition in painting that is thousands of years old, depicting actual shapes exactly as they are found in reality. This reality is the sky over the inner courtyards of Paris.

continues a tradition in painting that is thousands of years old, depicting actual shapes exactly as they are found in reality. This reality is the sky over the inner courtyards of Paris.

continues a tradition in painting that is thousands of years old, depicting actual shapes exactly as they are found in reality. This reality is the sky over the inner courtyards of Paris.

continues a tradition in painting that is thousands of years old, depicting actual shapes exactly as they are found in reality. This reality is the sky over the inner courtyards of Paris.

are lines through which leading individuals express themselves. Signatures are transformed into abstract images and reduced to their essence; to the inherent features of the motions, the living nature of the moment, the personal and individual; to the physiognomy of the signatories’ hand movements.

are lines through which leading individuals express themselves. Signatures are transformed into abstract images and reduced to their essence; to the inherent features of the motions, the living nature of the moment, the personal and individual; to the physiognomy of the signatories’ hand movements.

are lines through which leading individuals express themselves. Signatures are transformed into abstract images and reduced to their essence; to the inherent features of the motions, the living nature of the moment, the personal and individual; to the physiognomy of the signatories’ hand movements.

is a collection of photographs based on a singular theme. Symbols of destruction are both signifier and sign, emblems of dreadful premonition. The discernible objects are at once sensual and distinct, even as their context remains abstract and ambiguous.